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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
klaver solo
Emneord
Emnetal
78.53
Bidrag af
Indhold
Fragmenter fra Hans Andersen, opus 58 og 61SommergækkenTommeliseMetalsvinetGuldskatFolkesangens fuglDynd-kongens datterVejrmøllenDen standhaftige tinsoldatEt blad fra himlenEt billede fra KastelsvoldenKoncertetude for klaver nr. 1, Ges-dur, opus 9:2Koncertetude for klaver nr. 2, F-dur, opus 32Etuder for klaver, opus 46
Beskrivelse
Indspillet i Wyastone Estates koncertsal, Monmouth, England 13.-15. juli 2019
Forlag
Hyperion Records
Målgruppe
voksenmaterialer
Anmeldelser
The gramophone, 2021 January
"Editor's choice: A terrific pianist ... with all the colouristic and stylistic attributes one could wish for allied to a formidable technique, the kind of musician whose artistry is like a compelling novel where you can hardly wait for what comes next ... Superbly recorded and performed with such distinction, this release must be an early Awards nominee"
Presto classical, 2021-02-02
"Editor's choices - January 2021: It's early days, but I've already earmarked this young Georgian pianist's dazzling debut disc as a potential Recording of the Year: his sheer technical brilliance will make you catch your breath time and again, but he's also a born story-teller, bringing Andersen's Metal Pig and Tin Soldier to life with an abundance of charm, wit and warmth. Despite their rather utilitarian titles, the twelve Op. 46 studies are scarcely less characterful in his hands, the alla marcia exercise 'for the glissando' a particular delight"
Presto classical, 2021-02-02
BBC music magazine, 2021 February
"Instrumental choice: Namoradze brings a deft touch to these charming works The Andersen Fragments, teasing out their respective tenderness, melancholy and wit with subtlety and poise ... In the Op. 46 Studies Namoradze once more brings total technical assurance alongside exuberance and an unshowy sense of integrity to these fiendish pieces. An altogether enjoyable disc"
Fono Forum, 2021 Mai
"Manchem vielleicht unter dem Etikett "englischer Rachmaninow" bekannt, gehört York Bowen (1884-1961) noch immer zu den unbekannten komponisten seiner Generation - weil er seinem noch dem 19. Jahrhundert verpflichteten Stil treu blieb ... Seine beiden Konzert-Studien sind technisch höchst anspruchsvolle, musikalisch respektable Piècen, seine scheinbar "technischen" Etüden kompositorisch vollwertig. Was mich an dieser interessanten Produktion dennoch stört, ist der spitz intonierte, leer klingende Flügel"