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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
klaver solo
Emneord
Emnetal
78.53
Bidrag af
Indhold
Partita for klaver nr. 4, D-dur, BWV 828Den italienske koncert, F-dur, BWV 971Partita for violin nr. 2, d-mol, BWV 1004 (Chaconne)
Beskrivelse
Indspillet i Potton Hall, Dunwich, Suffolk, England 2018
Forlag
Chandos Records
Målgruppe
voksenmaterialer
Anmeldelser
The gramophone, 2019 January
"What shines through this new Bach disc is a sense of musical daring; imagination, too; and sincerity by the bucketful, not just at the keyboard but also in his soul-baring notes ... There's no doubt that Colli is one of the more original thinkers of his generation"
Diapason, 2019 février
Vurdering: 5/5
Presto classical, 2019-02-01
"Editors choices - January 2019: The exuberance and expansiveness which made this young Italian pianist's Scarlatti recital last year so engaging prove equally riveting in Bach - Colli may view Baroque repertoire through the prism of Romanticism, but he never loses sight of the underlying structures behind the music. The mighty Chaconne (in Busoni's transcription) sees him conjuring quasi-orchestral sonorities from his Steinway, but it's his weightless delicacy in the slow movements of the Partita that make this essential listening"
Presto classical, 2019-02-01
BBC music magazine, 2019 February
"Colli's Bach playing is from an expressive standpoint in the Romantic tradition ... His use of the sustaining pedal is, on the other hand, admirably restrained. The Ouverture of the D major Partita is crisply and coherently articulated, and the Courante is delivered with spirit and impressive technical control. The poetic Allemande is treated to a reflective delicacy ... In the Italian Concerto ... Colli gives a dazzling but never flashy account of the fast outer movements, while shaping the continuous melody of the Andante with lovingly-crafted contours"
The guardian, 2019-01-10
"There is a percussive quality to his touch that means that when he rattles winningly through the outer movements of the Italian Concerto, with entirely natural fluency, you can almost hear how they would sound on a harpsichord ... Colli's performance of the Chaconne is characteristically thoughtful and considered, yet has a self-aware sense of the epic about it ... It's a monumentally well-paced performance that grips from each moment to the next"
The guardian, 2019-01-10